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There are multiple events in this location

archive-title Category Archives: The romantic era

Category Archives: The romantic era

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04
February

Verdi’s Falstaff | Triumph with a laughter

Verdi’s last opera Falstaff relates to Verdi’s late years when after the enormous success of Otello no one expected him to create yet another opera. A pleasant routine Verdi and Giuseppina had a pleasant life routine at that stage. They used to spend winters in Genoa; the beginning of spring in Milan attending music events; the end of spring and most part of summer in Sant’Agata, where the composer attended business such as the collection of rent payments, purchase of seeds, repairs, new buildings works. Yet his friend, librettist and composer Arrigo Boito noticed how much Verdi missed composing and for that reason started to insist in working together on something new, an opera that could end his career in an even better way than Otello, a “triumph with a laughter”. Triumph with a laughter The idea came out during a conversation between Boito and Verdi. By May 1889 Boito had already sketched the libretto from Shakespeare’s Henry IV (1597) and The Merry Wives of Windsor (1602). Verdi, who had considered a comic subject before, at that stage was worried for not being able to complete it:  “What would happen if I won’t overcome my weakness…If I won’t be able to finish […]

19
September

Vocal Types | Opera voices

Operatic voices are divided into 4 categories: soprano (high female), alto (low female), tenor (high male) and bass (low male). There are also 2 intermediate voices: mezzo soprano, female voice and baritone, male voice between tenor and bass. There are many more subtle distinctions used to define the range, tone, colour and timbre of a voice. They developed as a consequence of increasingly demanding roles which required more specific vocal types.

22
March

Bellini | A love and death story I Capuleti e i Montecchi

I Capuleti e i Montecchi is considered by many Bellini’s first masterpiece. It certainly recalls in many ways the great belcanto era, particularly in the way the roles are organized: the mezzo-soprano as male protagonist, the soprano as his lover, the tenor as the hero’s rival, bass and bariton respectively as the noble father and the tyrant. However, Capuleti is not strictly a belcanto opera because of its intimate and at times dramatic atmosphere. So much so that the many embellishments, counterbalanced by a well-defined melodic core, are not ornamentation anymore but start to take an expressive connotation.

26
February

Italian Opera the March monthly program

Italian Opera the March monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

Bergamo | Donizetti’s hometown
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Bergamo | Donizetti’s hometown

History of Italian Opera Places off the beaten track The romantic era
The birth of Gaetano Donizetti Gaetano Donizetti, was born in Bergamo on November 29th 1797, fifth child…
Sara Filippini 4th April 2020
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Donizetti | Elisir d’Amore and the magic of Italian borghi
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Donizetti | Elisir d’Amore and the magic of Italian borghi

History of Italian Opera Operas Places off the beaten track The romantic era
Donizetti’s full mastery of the comic style. L’Elisir d’amore is the first opera in which Donizetti…
Sara Filippini 9th July 2016
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Donizetti | Triumph and death
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Donizetti | Triumph and death

Composers and librettists History of Italian Opera The romantic era
Donizetti moves to Paris in 1834-1835 Gaetano Donizetti was called, along with Bellini, by Rossini in…
Sara Filippini 8th July 2016
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Donizetti | The Romantic epitome
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Donizetti | The Romantic epitome

Composers and librettists History of Italian Opera The romantic era
The beginning of Donizetti’s career At the beginning of his career, Donizetti writes mainly for the…
Sara Filippini 8th July 2016
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Donizetti and Romantic opera
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Donizetti and Romantic opera

Composers and librettists History of Italian Opera The romantic era
The split between Italian and European music During the first half of the nineteen century starts…
Sara Filippini 4th April 2016
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Vincenzo Bellini | La Sonnambula
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Vincenzo Bellini | La Sonnambula

Composers and librettists History of Italian Opera Operas The romantic era
Genesis of La Sonnamula Getting closer the deadline for the presentation of a new opera at…
Sara Filippini 23rd March 2016
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Bellini | A love and death story I Capuleti e i Montecchi
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Bellini | A love and death story I Capuleti e i Montecchi

Composers and librettists History of Italian Opera Operas The romantic era
I Capuleti e i Montecchi genesis Bellini composed I Capuleti e i Montecchi in one and…
Sara Filippini 22nd March 2016
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The short life of Vincenzo Bellini
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The short life of Vincenzo Bellini

Composers and librettists History of Italian Opera The romantic era
Vincenzo Bellini, a child prodigy An anonymous manuscript reports that the young Bellini was a child…
Sara Filippini 18th March 2016
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Catania | Bellini the Sicilian
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Catania | Bellini the Sicilian

History of Italian Opera Places off the beaten track The romantic era
Bellini’s “volcanic” character Francesco Florimo, his lifetime friend, described Bellini as “a pure, sweet, grateful, modest…
Sara Filippini 18th March 2016
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Bellini | Manifesto of Italian romantic opera
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Bellini | Manifesto of Italian romantic opera

Composers and librettists History of Italian Opera The romantic era
The Manifesto of Italian romantic opera From a letter by Vincenzo Bellini sent to Agostino Gallo we learn…
Sara Filippini 18th March 2016
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L’Ulisse Errante

We aim to give active independent travellers with an interest for music and opera, first hand info and practical suggestion to combine places off the beaten track with the more appealing productions. From the Alps to Sicily we offer the opportunity to choose the personal experience you want to live in the country of music, because there's more than that in Italy. But there's no better place in the world for opera.
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