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There are multiple events in this location

archive-title Category Archives: Verismo and twilight

Category Archives: Verismo and twilight

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23
March

Verona | I Capuleti e i Montecchi

Pleasant Verona! With its Roman gates, still spanning the fair street, and casting, on the sunlight of to-day, the shade of fifteen hundred years ago. With its marble-fitted churches, lofty towers, rich architecture, and quaint old quiet thoroughfares, where shouts of Montagues and Capulets once resounded, and made Verona’s ancient citizens Cast by their grave, beseeming ornaments, To wield old partizans. With its fast-rushing river, picturesque old bridge, great castle, waving cypresses, and prospect so delightful, and so cheerful!

04
February

Verdi’s Falstaff | Triumph with a laughter

Verdi’s last opera Falstaff relates to Verdi’s late years when after the enormous success of Otello no one expected him to create yet another opera. A pleasant routine Verdi and Giuseppina had a pleasant life routine at that stage. They used to spend winters in Genoa; the beginning of spring in Milan attending music events; the end of spring and most part of summer in Sant’Agata, where the composer attended business such as the collection of rent payments, purchase of seeds, repairs, new buildings works. Yet his friend, librettist and composer Arrigo Boito noticed how much Verdi missed composing and for that reason started to insist in working together on something new, an opera that could end his career in an even better way than Otello, a “triumph with a laughter”. Triumph with a laughter The idea came out during a conversation between Boito and Verdi. By May 1889 Boito had already sketched the libretto from Shakespeare’s Henry IV (1597) and The Merry Wives of Windsor (1602). Verdi, who had considered a comic subject before, at that stage was worried for not being able to complete it:  “What would happen if I won’t overcome my weakness…If I won’t be able to finish […]

05
October

Venice | the invention of public theatre

Venice was an important and rich commercial centre, welcoming foreign merchants, businessmen dignitaries and aristocrats on the Grand Tour. The demand for entertainment was therefore high, particularly during the Carnevale, Some enterprising impresarios came up with the idea of setting up a public opera house, charging the public for the hire of boxes on a subscription system. The business turned out to be profitable. In a few years 16 theatres were built requiring a big number of new operas. By the end of 1600 the repertoire counted about 300 operas.

16
January

Vittorio Grigolo triumphs at the Met

Much applauded at the Royal Opera House in London in the role of Werther directed by Antonio Pappano and alongside Joyce DiDonato and in Les Contes d’Hoffmann, Mr. Grigolo has recently appeared at the Met in New York, in Roméo et Juliette alongside Diana Damrau.

Forging the new Italian Opera | Francesca da Rimini

Forging the new Italian Opera | Francesca da Rimini

Composers and librettists History of Italian Opera Verismo and twilight
Zandonai’s Francesca da Rimini tells of the tragic love story between Paolo and Francesca, told by Dante Alighieri in…
Sara Filippini 8th December 2018
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Verismo and Wagnerianism

Verismo and Wagnerianism

Composers and librettists History of Italian Opera Verismo and twilight
Verismo composers were mainly opera composers; the new generation of composers was different, more eclectic. Franco Alfano’s two symphonies, among…
Sara Filippini 22nd November 2018
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The generation of the 80s

The generation of the 80s

Composers and librettists History of Italian Opera Verismo and twilight
At the end of 19th century it became clear that the style used in opera until 1890s couldn’t be used…
Sara Filippini 21st November 2018
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Riccardo Zandonai
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Riccardo Zandonai

Composers and librettists History of Italian Opera Singers and conductors Verismo and twilight
Dedicated composer and intelligent conductor Riccardo Zandonai was one of the last Italian operatic master craftsmen.…
Sara Filippini 30th December 2015
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L’Ulisse Errante

We aim to give active independent travellers with an interest for music and opera, first hand info and practical suggestion to combine places off the beaten track with the more appealing productions. From the Alps to Sicily we offer the opportunity to choose the personal experience you want to live in the country of music, because there's more than that in Italy. But there's no better place in the world for opera.
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