I Capuleti e i Montecchi is considered by many Bellini’s first masterpiece. It certainly recalls in many ways the great belcanto era, particularly in the way the roles are organized: the mezzo-soprano as male protagonist, the soprano as his lover, the tenor as the hero’s rival, bass and bariton respectively as the noble father and the tyrant. However, Capuleti is not strictly a belcanto opera because of its intimate and at times dramatic atmosphere. So much so that the many embellishments, counterbalanced by a well-defined melodic core, are not ornamentation anymore but start to take an expressive connotation.
Leoncavallo’s Pagliacci is a opera of tremendous energy and impetus, up to the final scene, one of the most gripping of Italian opera. The aria”Vesti la giubba” “put on your costume” is one of the best-renowned tenor arias of the whole repertoire. It is in fact both an expressive and a vocal test for any lyric tenor.
In the church Madonna del Pilar with its magnificent Baroque interiors and fine stuccoes on the 16th March 1822, by special concession as it was Lent, was celebrated the marriage between Gioachino Rossini and Ysabel Colbran crowning the great love and successful artistic alliance between the most prominent opera composer of the time and his muse.
Pergolesi’s Stabat Mater is a sublime piece of sacred chamber music. Originally composed for two castrato voices, strings and basso continuo, is arguably one of the most important works in music history, which influence stretches to Mozart, Haydn and beyond. A sublime summary of the religious and aesthetics of its time. It is also a simple man’s expression of religious sense
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