Italian Opera the November monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!
Now available on demand until 20th of April 2017, Puccini’s La bohème, which opened the 2016-2017 opera season and was broadcasted from the Teatro Regio in Turin. Gianandrea Noseda conducts the Orchestra and Chorus of the Regio in a new staging by Àlex Ollé. This staging of La Bohème marks the 120th anniversary of the opera world premiere, which took place at the Regio on 1st of February 1896 conducted by a 29 years old Arturo Toscanini.
Zandonai’s Francesca da Rimini tells of the tragic love story between Paolo and Francesca, told by Dante Alighieri in the 5th Canto of his Inferno, first part to the XIV century poem The Divine Comedy. Nearly 100 years later Boccaccio retold the story in his commentary on Dante’s Divine Comedy, adding details which are still historically controversial. In his account Malatesta from Verucchio, founder of the powerful Malatesta family, decided the marriage of his crippled son Gianciotto Malatesta to Francesca Da Polenta to put an end to the war between the two families. According to Boccaccio, Malatesta the Old, concerned that the bride could reject the bridegroom on the altar, sent in his place to perform a proxy marriage his handsome brother Paolo, a trick that she’d uncover only upon her arrival in Rimini. Gabriele D’Annunzio based the libretto for Zandonai’s opera on Boccaccio’s tale. His intention was to make of Zandonai’s Francesca da Rimini, (1902) the first of a series of dramatic works and the foundation to “the new Italian art”. D’Annunzio’s importance as a writer in the early-twentieth-century Italy was matched only by the prominence of his blatant, extravagant personality, his debts and his scandalous lifestyle, which left a trail […]
The compelling power of Zandonai’s best opera Francesca da Rimini is the best known of Riccardo Zandonai’s opera, a work of musical richness and compelling dramatic power. D’Annunzio’s play, written in the years of his obsession for Wagner, has many parallels with Tristan und Isolde, as for instance the minstrel account of Isolde’s story at the beginning of the opera and the “goblet scene” in act two. The epitome of a tragic love The first act takes place in Ravenna: Francesca da Polenta, daughter of the lord of the city, is about to marry Guido Malatesta, called Gianciotto because of his deformity (he’s crippled): she’s led to believe that the groom to be is the handsome Paolo, Gianciotto’s brother. In the second act, the following winter, the Guelphs Malatesta, at war with the Ghibellines, are besieging their castle in Rimini. Francesca meets Paolo in the castle and blames him for deceiving her into marriage. Gianciotto arrives followed by their brother Malatestino, who is wounded. In act three, a few months later, Francesca is in her room reading when Paolo, back from a long journey, enters. After confessing each other their love, they go back to the reading which features the […]