alto | L'Ulisse errante

Events Pro | Info: There are no items created, add some please.

IL VIAGGIO DI ROBERTO | Roberto’s journey – from Ravenna to Auschwitz

On October 16, 1943 Roberto and his father were imprisoned in Milan. Two months later the 6th of December they were loaded like cattle in the same coach with other 64 people and left from the infamous platform 21 of Milan train station for a one way journey.

December

The transition between 18th and 19th century in Opera

Opera, until then the favourite entertainment of aristocracy and educated classes, was going to change radically as a consequence of the French revolution. In the three decades of the rise and fall of Napoleon, opera social function changed completely and irrevocably.

March

Italian Opera the April monthly program

Italian Opera the April monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

November

The generation of the 80s

At the end of 19th century it became clear that the style used in opera until 1890s couldn’t be used any more: the great social and cultural changes demanded new ways to express and increase the dramatic tension. The music coming from abroad (oltr’alpe-beyond the Alps) was becoming increasingly important. The new younger generation of composers, such as Puccini and Mascagni, where influenced not only by Wagner but also by younger composers such as Claude Debussy and Richard Strauss. Pelléas et Melisande premiered in 1902, Salome (1905) and Electra (1909), Strauss’s two breaking through operas, had a rapid success. Change demanded from older composers a conscious and radical effort while for those born after 1875 and used to the new music as part of their musical landscape, the transition to new ways of composing operas was more spontaneous, although different in nature and magnitude for each composer. Some composer intended their relationship with nineteenth-century Italian opera as “evolutionary” and continued to work within the traditional framework using at times new techniques and dramatic themes. Others felt that Italian music needed to break free from an opera that had become a stale entertainment for the new middle class and that a […]

Vocal Types | Opera voices

The beginning - Baroque What is opera

The four main categories of Operatic voices Operatic voices are divided into 4 categories: soprano (high female), alto (low female),…

Tag Archives: alto

IL VIAGGIO DI ROBERTO | Roberto’s journey – from Ravenna to Auschwitz

The transition between 18th and 19th century in Opera

Italian Opera the April monthly program

The generation of the 80s

Vocal Types | Opera voices

L’Ulisse Errante

Recent Posts

Contact Info