Alzheimer | L'Ulisse errante

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Vittorio Grigolo triumphs at the Met

Much applauded at the Royal Opera House in London in the role of Werther directed by Antonio Pappano and alongside Joyce DiDonato and in Les Contes d’Hoffmann, Mr. Grigolo has recently appeared at the Met in New York, in Roméo et Juliette alongside Diana Damrau.

November

Italian Opera the December monthly program

Italian Opera the December monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

November

The generation of the 80s

At the end of 19th century it became clear that the style used in opera until 1890s couldn’t be used any more: the great social and cultural changes demanded new ways to express and increase the dramatic tension. The music coming from abroad (oltr’alpe-beyond the Alps) was becoming increasingly important. The new younger generation of composers, such as Puccini and Mascagni, where influenced not only by Wagner but also by younger composers such as Claude Debussy and Richard Strauss. Pelléas et Melisande premiered in 1902, Salome (1905) and Electra (1909), Strauss’s two breaking through operas, had a rapid success. Change demanded from older composers a conscious and radical effort while for those born after 1875 and used to the new music as part of their musical landscape, the transition to new ways of composing operas was more spontaneous, although different in nature and magnitude for each composer. Some composer intended their relationship with nineteenth-century Italian opera as “evolutionary” and continued to work within the traditional framework using at times new techniques and dramatic themes. Others felt that Italian music needed to break free from an opera that had become a stale entertainment for the new middle class and that a […]

September

Vocal Types | Opera voices

Operatic voices are divided into 4 categories: soprano (high female), alto (low female), tenor (high male) and bass (low male). There are also 2 intermediate voices: mezzo soprano, female voice and baritone, male voice between tenor and bass. There are many more subtle distinctions used to define the range, tone, colour and timbre of a voice. They developed as a consequence of increasingly demanding roles which required more specific vocal types.