basso buffo | L'Ulisse errante

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Bellini | Manifesto of Italian romantic opera

Locked in my room, I recite the characters’ parts passionately and study my voice: its inflections, the tempo and pauses, in short the emphasis a man uses when he’s at the mercy of his passions. I then identify the right tempo and melody in order to allow the singers to express those passions by the means of harmony. I put the ideas on paper, try them on the harpsichord. When I feel the same emotion I wanted to express I judge I have succeeded; if I don’t, I look again for inspiration until I feel I’ve achieved my goal”.

March

Where Vincenzo Bellini meets the Coldplay | Palazzo Biscari in Sicily

If a great composer such as Vincenzo Bellini was born in Sicily it’s also thanks to another great personality of his time, the Prince of Biscari Ignatiu Paternò Castello.

April

Bergamo | Donizetti’s hometown

Gaetano Donizetti, was born in Bergamo on November 29th 1797. Bergamo, city with a rich and interesting history started even before the Romans with the Celts, is located not far from Milan in the same metropolitan area, only 30 km away from lakes Como and Iseo and also close to the Alps, which foothills begin right on its north side.

April

Rigoletto in Mantua | Palazzo Te, the pleasure palace

What is Rigoletto it about? This sounds like a simple question, which could be answered by telling the story of the Duke of Mantua, the city of Mantua, his hunchback jester and the jester’s daughter, Gilda. A story of love, deception, revenge, and death. The story, of course, is so close to the one told by playwright and poet Victor Hugo in his play Le Roi s’amuse (The King has fun), that they could appear the same thing. But anyone who loves opera will not be satisfied by this explanation. In the best operas, music is much more than an accompaniment to the story: it is through the power of music that the story unfolds into the drama. Verdi fell literally in love with Hugo’s play and was determined to translate it into music; despite his librettist Francesco Maria Piave‘s concerns, particularly over the fourth act culminating in the deposition of a dying Gilda in a bag. In a letter dated June 1850, Verdi explains the reasons he suggested as a title for the opera Monterone’s curse or, by the short, The Curse. “The subject is the curse as a moral element: A distraught father who mourns the honor taken away from his daughter, a […]