logo

Menu

  • Home
  • What’s on
        • Festivals
        • Theatres
  • Visiting
    • Arriving and getting around
    • Itinearies
    • Experiences
  • THINGS TO SEE
        • Cities
        • Places off the beaten track
        • Museums
        • Unesco Heritage Sites
  • Italian Opera
      • Italian Opera
        • What is opera
        • Operas
        • Composers and librettists
        • Singers and conductors
      • A brief history of Italian Opera
        • The beginning and Baroque
        • Comic Opera
        • The Golden Age
        • The Romantic Era
        • Verismo and twilight
  • STUDYING & SINGING
      • Schools and courses
        • Conservatoires and High Musical Training Institutes
        • Enrolling in Italian Conservatories | The Turandot Project
        • Academies and personal voice coaches
        • Masterclasses | Courses
      • Starting a career
        • Competitions
        • Auditions
  • About
        • About us
        • Opera in Focus
        • Contact us
        • Work with us
  • icon icon Facebook
  • icon icon Twitter
  • icon icon Google+
  • icon icon LinkedIn
Login or Register
Login

Lost Password?

1+

There are multiple events in this location

archive-title Tag Archives: Carlo Broschi

Tag Archives: Carlo Broschi

Follow & share us
Events Pro  |  Info: There are no items created, add some please.
11
January

Un Ballo in Maschera | Giuseppe Verdi

A troubled genesis Un Ballo in Maschera is arguably one of most popular opera by Giuseppe Verdi. Yet it had the most troubled genesis. Written for the San Carlo in Naples and never performed there Un Ballo in Maschera was originally composed to be staged in Naples as the last new opera written under the contract between the Teatro San Carlo and Verdi but was never performed there. The major changes imposed by the Bourbon censorship to the composer convinced Verdi to premiere it in Rome instead. Even the Papal censorship in 1859 allowed him more freedom than that of the Bourbons’. Last (missed) opportunity for a Verdi’s “King Lear” Initially, Verdi had suggested to the San Carlo management another subject: King Lear by William Shakespeare, a long-term project that this time seemed to finally have found a right opportunity. But a new problem came up. To stage King Lear 2 or 3 strong soloists were not enough: 5 at least were needed and the San Carlo couldn’t provide them. These circumstances convinced Verdi, after over 15 years, to finally abandon the project of staging a music version of King Lear. Verdi & Shakespeare Verdi was a great admirer of […]

27
January

IL VIAGGIO DI ROBERTO | Roberto’s journey – from Ravenna to Auschwitz

On October 16, 1943 Roberto and his father were imprisoned in Milan. Two months later the 6th of December they were loaded like cattle in the same coach with other 64 people and left from the infamous platform 21 of Milan train station for a one way journey.

08
December

Forging the new Italian Opera | Francesca da Rimini

Zandonai’s Francesca da Rimini tells of the tragic love story between Paolo and Francesca, told by Dante Alighieri in the 5th Canto of his Inferno, first part to the XIV century poem The Divine Comedy. Nearly 100 years later Boccaccio retold the story in his commentary on Dante’s Divine Comedy, adding details which are still historically controversial. In his account Malatesta from Verucchio, founder of the powerful Malatesta family, decided the marriage of his crippled son Gianciotto Malatesta to Francesca Da Polenta to put an end to the war between the two families. According to Boccaccio, Malatesta the Old, concerned that the bride could reject the bridegroom on the altar, sent in his place to perform a proxy marriage his handsome brother Paolo, a trick that she’d uncover only upon her arrival in Rimini. Gabriele D’Annunzio based the libretto for Zandonai’s opera on Boccaccio’s tale.   His intention was to make of Zandonai’s Francesca da Rimini, (1902) the first of a series of dramatic works and the foundation to “the new Italian art”. D’Annunzio’s importance as a writer in the early-twentieth-century Italy was matched only by the prominence of his blatant, extravagant personality, his debts and his scandalous lifestyle, which left a trail […]

04
April

Bergamo | Donizetti’s hometown

Gaetano Donizetti, was born in Bergamo on November 29th 1797. Bergamo, city with a rich and interesting history started even before the Romans with the Celts, is located not far from Milan in the same metropolitan area, only 30 km away from lakes Como and Iseo and also close to the Alps, which foothills begin right on its north side.

Vocal Types | Opera voices
0

Vocal Types | Opera voices

The beginning - Baroque What is opera
The four main categories of Operatic voices Operatic voices are divided into 4 categories: soprano (high female), alto (low female),…
Sara Filippini 19th September 2015
read more

L’Ulisse Errante

We aim to give active independent travellers with an interest for music and opera, first hand info and practical suggestion to combine places off the beaten track with the more appealing productions. From the Alps to Sicily we offer the opportunity to choose the personal experience you want to live in the country of music, because there's more than that in Italy. But there's no better place in the world for opera.
April 2021
M T W T F S S
 1234
567891011
12131415161718
19202122232425
2627282930  
« Apr    

Recent Posts

  • Bergamo | Donizetti’s hometown
  • Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love
  • Jesi | Wine and Music | Pergolesi and Spontini

Contact Info

Classicom
info@classicom.it

ph. +44 7523180831
ph. +39 07211627967

  • Music and opera lovers touring guide of Italy
  • About us

© 2020 Copyright by Classicom Vat IT02657440414. All rights reserved.