The house has an unbeatable location. Situated halfway up the hill that gradually becomes mountain, the San Bartolo – the only high stretch of coast on the Adriatic sea along with Trieste and Ancona – it faces a large bay. A lush vegetation surrounds the white building from early spring to late autumn. During summer it provides a shelter from the heat of the blazing sun and also from the curious eyes of the bathers crowding the beach – mainly locals as this is not a trendy beach; it’s simply a nice place -. Vegetation could not, however, shield the sounds. So, in the years gone by, it was quite common for people lying on the beach – including me – to hear the Maestro’s powerful voice singing a piece or some musical charade. It was quite something!
Vincenzo Gonzaga, Duke of Mantua attended the successful performance of Peri’s Euridice in Florence, which was probabily witnessed also by Monteverdi himself. The Duke realized immediately the originality of this new entertainment and the prestige that would reflect on the lord that sponsored it.
The Teatro San Carlo, certainly one of the finest and biggest in Europe was opened in 1737. Two years later, in 1739 French politician and writer Charles de Brosses referred to Naples as “the world capital of music”.
Rossini wrote his first opera, Demetrio e Polibio in 1806 not even fifteen. His official debut was in Venice in 1810 with the opera La Cambiale di Matrimonio. In the following two decades Rossini composed 39 operas, 4 or 5 new ones per year, with some controversial premieres, such as the Barber of Seville legendary fiasco in Rome in 1816 and some extraordinary successes: La Gazza Ladra, Zelmira and Semiramide, the last opera premiered in Italy in 1823.