Cecilia Bartoli | L'Ulisse errante

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Donizetti | The Romantic epitome

At the beginning of his carrier, Donizetti writes mainly for the small theatres in Venice. Every new work by the young maestro was welcomed and praised by the press, as an original new development of Rossini’s style. Anna Bolena and L’Elisir d’Amore both premiered in Milan on librettos by Felice Romani, finally launched Donizetti as one of the most prominent European opera composers. These two masterpieces are the first of a list of milestones written by Donizetti that mark the history of romantic Italian theatre.

November

Italian Opera the December monthly program

Italian Opera the December monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

March

Vincenzo Bellini | La Sonnambula

La Sonnambula was a complete triumph, since its premiere. The newspapers wrote of “a melody that goes to the heart, an instrumentation always beautiful and well built” and reported of “endless applauses”. The story revolves around the character of Amina, the archetypal of the slandered innocent.

February

Verdi’s Falstaff | Triumph with a laughter

Verdi’s last opera Falstaff relates to Verdi’s late years when after the enormous success of Otello no one expected him to create yet another opera. A pleasant routine Verdi and Giuseppina had a pleasant life routine at that stage. They used to spend winters in Genoa; the beginning of spring in Milan attending music events; the end of spring and most part of summer in Sant’Agata, where the composer attended business such as the collection of rent payments, purchase of seeds, repairs, new buildings works. Yet his friend, librettist and composer Arrigo Boito noticed how much Verdi missed composing and for that reason started to insist in working together on something new, an opera that could end his career in an even better way than Otello, a “triumph with a laughter”. Triumph with a laughter The idea came out during a conversation between Boito and Verdi. By May 1889 Boito had already sketched the libretto from Shakespeare’s Henry IV (1597) and The Merry Wives of Windsor (1602). Verdi, who had considered a comic subject before, at that stage was worried for not being able to complete it: “What would happen if I won’t overcome my weakness…If I won’t be able to finish […]

Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love

The compelling power of Zandonai’s best opera Francesca da Rimini is the best known of

Tag Archives: Cecilia Bartoli

Donizetti | The Romantic epitome

Italian Opera the December monthly program

Vincenzo Bellini | La Sonnambula

Verdi’s Falstaff | Triumph with a laughter

Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love

L’Ulisse Errante

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