The Neapolitan school and the trumph of the classical style Domenico Cimarosa’s successes are a prove of the fact that the revolutionary charge of Mozart’s operas wasn’t fully understood by his contemporaries. The secret marriage is regarded as the masterpiece of the comic Neapolitan School and has been almost constantly performed since its composition; yet its characters don’t have a naturalness or a psychological definition comparable to that of Mozart’s. An unmatched reputation as a composer Cimarosa was however the best of his time for his ability of setting into fine music ordinary-life stories. He gave voice to real people with their passions and anxieties, reveiling their true heart. Through the refined melodies of his arias, his characters describe their actions and emotions with freshness and effectiveness. Cimarosa wrote a total of 99 operas filled with delightful pages, graceful melodies and funny and profoundly human characters. In the last years of his life and before Rossini became famous, his reputation as a composer was unmatched. Cimarosa, a brief biography Domenico Cimarosa was born in Aversa, nearby Caserta on the 17th December 1749. Just a few days after his birth his family moved to Naples, as his father was hired for the construction of […]
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Bellini’s premature death allowed finally Donizetti to take the title of “Main Italian composer” left vacant by Rossini a decade before. On the other end, his sickness and death spared him the humiliation of being ousted again by the irresistible rise of Verdi.
The main difference between Opera and the previous polyphonic vocal music is the unique melodic line, resulting from the merging of bass and singing. In polyphonic music different vocal lines work independently, overlapping one another and making a text often incomprehensible. Opera instead offered a new way for making words expressive and intelligible, by creating a single melodic line, supported by an accompaniment.