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There are multiple events in this location

archive-title Tag Archives: Dario Fo

Tag Archives: Dario Fo

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09
July

Donizetti | Elisir d’Amore and the magic of Italian borghi

Elisir d’amore is Donizetti’s first opera to show his full mastery of the comic style. Arias like “Adina believe me” and the most famous “A furtive tear” are pieces in which Donizetti not simply suggests emotions but gives body to their very essence thanks to a music of universal, immortal power. The story is set at the end of eighteenth century, in a country village.

08
December

Forging the new Italian Opera | Francesca da Rimini

Zandonai’s Francesca da Rimini tells of the tragic love story between Paolo and Francesca, told by Dante Alighieri in the 5th Canto of his Inferno, first part to the XIV century poem The Divine Comedy. Nearly 100 years later Boccaccio retold the story in his commentary on Dante’s Divine Comedy, adding details which are still historically controversial. In his account Malatesta from Verucchio, founder of the powerful Malatesta family, decided the marriage of his crippled son Gianciotto Malatesta to Francesca Da Polenta to put an end to the war between the two families. According to Boccaccio, Malatesta the Old, concerned that the bride could reject the bridegroom on the altar, sent in his place to perform a proxy marriage his handsome brother Paolo, a trick that she’d uncover only upon her arrival in Rimini. Gabriele D’Annunzio based the libretto for Zandonai’s opera on Boccaccio’s tale.   His intention was to make of Zandonai’s Francesca da Rimini, (1902) the first of a series of dramatic works and the foundation to “the new Italian art”. D’Annunzio’s importance as a writer in the early-twentieth-century Italy was matched only by the prominence of his blatant, extravagant personality, his debts and his scandalous lifestyle, which left a trail […]

04
April

Donizetti and Romantic opera

Bellini’s premature death allowed finally Donizetti to take the title of “Main Italian composer” left vacant by Rossini a decade before. On the other end, his sickness and death spared him the humiliation of being ousted again by the irresistible rise of Verdi.

16
February

The Servant turned Mistress | La Serva Padrona

La Serva Padrona, composed on a libretto by Gennaro Antonio Federico in 1733, is an intermezzo divided into two interludes. It was originally designed to be performed between the acts of the opera seria Il prigioniero superbo by Pergolesi himself, staged at the Teatro San Bartolomeo in Naples on the occasion of the birthday of the empress Elisabeth Christine of Brunswick, wife of the emperor Charles VI and mother of the empress Marie Therese of Augsburg. That very same libretto had been used by almost every composer in Naples and therefore was already popular in a number of successful versions. The definition of believable characters and the solid realism of the short story, revolving almost entirely around the characters’ psychology made of the libretto a success. Pergolesi’s genius turned it into a masterpiece.

Addio Dario!

Addio Dario!

Opera World
Goodbye Dario! Dario Fo, the Italian playwright, director and performer whose scathingly satirical work earned him both…
Sara Filippini 14th October 2016
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L’Ulisse Errante

We aim to give active independent travellers with an interest for music and opera, first hand info and practical suggestion to combine places off the beaten track with the more appealing productions. From the Alps to Sicily we offer the opportunity to choose the personal experience you want to live in the country of music, because there's more than that in Italy. But there's no better place in the world for opera.
March 2021
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Recent Posts

  • Bergamo | Donizetti’s hometown
  • Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love
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