Falstaff | L'Ulisse errante

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The transition between 18th and 19th century in Opera

Opera, until then the favourite entertainment of aristocracy and educated classes, was going to change radically as a consequence of the French revolution. In the three decades of the rise and fall of Napoleon, opera social function changed completely and irrevocably.

March

The genesis of Italian Romantic Opera

The protagonists of romantic operas live love differently than those of the eighteenth-century repertoire. For them love is a complete emotional enrapture. They share this incontrollable passion with a public who generally has a more ordinary life and now, through this new music drama, can experience a total emotional involvement.

January

Italian Opera the January monthly program

December

Riccardo Zandonai

Riccardo Zandonai was one of the last Italian operatic master craftsmen. Although many Italian composers after him continued to write operas, none will show the same consistent dedication or would produce such an impressive body of works. Composer of symphonic and chamber music as well as sacred music, Zandonai was also a sensitive and intelligent conductor.

Verdi’s Falstaff | Triumph with a laughter

History of Italian Opera Operas

Verdi’s last opera Falstaff relates to Verdi’s late years when after the enormous success of Otello no one expected him to…

Tag Archives: Falstaff

The transition between 18th and 19th century in Opera

The genesis of Italian Romantic Opera

Italian Opera the January monthly program

Riccardo Zandonai

Verdi’s Falstaff | Triumph with a laughter

L’Ulisse Errante

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