Everywhere in the world, Italian language is popular thanks to music; not just Opera but also pop hits such as Volare or Mamma. Common Italian words are increasingly used in other languages while notation on music scores is traditionally in Italian (piano, forte, crescendo, rallentando etc…). So much so that many Italian terms used for music are now truly international, representing a substantial part of the international Italian vocabulary.
Elisir d’amore is Donizetti’s first opera to show his full mastery of the comic style. Arias like “Adina believe me” and the most famous “A furtive tear” are pieces in which Donizetti not simply suggests emotions but gives body to their very essence thanks to a music of universal, immortal power. The story is set at the end of eighteenth century, in a country village.
At the beginning of the eighteenth century starts to develop a type of opera uniquely based on comic characters. It was a consequence of Zeno’s reform which separated the comic scenes within an opera, from all the rest. Two types of performances started then to take shape, marking a turning point in the history of opera. They were the interludes or intermezzi and a music comedy in Neapolitan dialect, called Commedeja pee Mmuseca.
The compelling power of Zandonai’s best opera Francesca da Rimini is the best known of Riccardo Zandonai’s opera, a work of musical richness and compelling dramatic power. D’Annunzio’s play, written in the years of his obsession for Wagner, has many parallels with Tristan und Isolde, as for instance the minstrel account of Isolde’s story at the beginning of the opera and the “goblet scene” in act two. The epitome of a tragic love The first act takes place in Ravenna: Francesca da Polenta, daughter of the lord of the city, is about to marry Guido Malatesta, called Gianciotto because of his deformity (he’s crippled): she’s led to believe that the groom to be is the handsome Paolo, Gianciotto’s brother. In the second act, the following winter, the Guelphs Malatesta, at war with the Ghibellines, are besieging their castle in Rimini. Francesca meets Paolo in the castle and blames him for deceiving her into marriage. Gianciotto arrives followed by their brother Malatestino, who is wounded. In act three, a few months later, Francesca is in her room reading when Paolo, back from a long journey, enters. After confessing each other their love, they go back to the reading which features the […]