Italian Opera the December monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!
When the diva is a mezzo Romantic opera brought at the centre of the stage sopranos, heroines of every love drama composed by Bellini to Donizetti to Puccini passing through Verdi. Mezzo-sopranos in those days played somehow the part of “Cinderella”, before the meeting with the fairy Godmother. Relegated mostly to a secondary role, they were seldom able to share the popularity and admiration granted to the leading sopranos of their time. Ebe Stignani, one of the most beautiful voices of the last century Take for example Ebe Stignani. Not many know her or who she was, yet she was one of the most beautiful voices and of the finest musicians of the last century. Ebe Stignani and Maria Callas Stignani was a main star at the Teatro Alla Scala while Maria Callas was just starting her cooperation with the Milan stage. Those were Callas’ difficult first years at La Scala, where she debuted in 1950 as a replacement to Renata Tebaldi in Aida. There was certainly a pre-established criticism if not hostility and even a lack of interest for Callas’ vocal talents, that kept growing till 1953 when, after a Norma with Stignani, the Greek soprano left Italy to return […]
Domenico Cimarosa’s most successful opera, The Secret Marriage, was composed on a libretto written by Giovanni Bertati, a Venetian employed as court poet in Vienna, on a subject very popular at the time. The story was in fact at the centre of a series of 6 paintings by William Hogarth, the Marriage in Fashion, le Mariage à la Mode, published in London between 1743 and 1745, depicting the bad consequences of a wedding between a penniless aristocrat and a rich bourgeois. Bertati the librettist turns the social satire into a mockery of bourgeois, eager to ennoble but happy to save half of the dowry when the opportunity arises.
The protagonists of romantic operas live love differently than those of the eighteenth-century repertoire. For them love is a complete emotional enrapture. They share this incontrollable passion with a public who generally has a more ordinary life and now, through this new music drama, can experience a total emotional involvement.