Lucia di Lamermoor | L'Ulisse errante

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Domenico Cimarosa | The triumph of the Neapolitan school

The Neapolitan school and the trumph of the classical style Domenico Cimarosa’s successes are a prove of the fact that the revolutionary charge of Mozart’s operas wasn’t fully understood by his contemporaries. The secret marriage is regarded as the masterpiece of the comic Neapolitan School and has been almost constantly performed since its composition; yet its characters don’t have a naturalness or a psychological definition comparable to that of Mozart’s. An unmatched reputation as a composer Cimarosa was however the best of his time for his ability of setting into fine music ordinary-life stories. He gave voice to real people with their passions and anxieties, reveiling their true heart. Through the refined melodies of his arias, his characters describe their actions and emotions with freshness and effectiveness. Cimarosa wrote a total of 99 operas filled with delightful pages, graceful melodies and funny and profoundly human characters. In the last years of his life and before Rossini became famous, his reputation as a composer was unmatched. Cimarosa, a brief biography Domenico Cimarosa was born in Aversa, nearby Caserta on the 17th December 1749. Just a few days after his birth his family moved to Naples, as his father was hired for the construction of […]

September

Opera | Useful basic definitions of commonly used terms

Opera is a drama created through music. It is the result of the joint effort of some of the best poets and composers in music history who worked together in perfect synergy to create a work as a whole.

November

Verismo and Wagnerianism

Verismo composers were mainly opera composers; the new generation of composers was different, more eclectic. Franco Alfano’s two symphonies, among the most relevant Italian compositions of the first half of the 20th century as well as Zandonai’s remarkable collection of orchestral and chamber works show that their non-operatic compositions weren’t certainly occasional. Franco Alfano, as most knows, composed the music for the last 2 scenes of Turandot, Puccini’s last opera left unfinished after the composer’s death in 1924. Puccini had left sketches for the end of the opera, along with instructions to Riccardo Zandonai to finish it, yet, following Puccini’s son objections, to work on the draft and finish the opera, was instead chosen Franco Alfano. Both Alfano and Zandonai can be defined as “operatic symphonists” : they embodied a new way to define the relationship between music and drama. The drama was no longer described by the music; it was precisely the opposite: the drama provided the frame to the music. This process can be seen at its most in Zandonai’s Francesca where entire acts can be defined as symphonic poems. Since 1890 Wagner’s scores had spread widely in Italy. The scale and magnificence of the composer’s major works led […]

January

Remembering Claudio Abbado

Claudio Abbado was a relentless disseminator of beauty, engaged in a constant search for “the truth” in music, a supporter of culture democracy, of beauty accessible to everyone.

Donizetti | The Romantic epitome

The beginning of Donizetti’s career At the beginning of his career, Donizetti writes mainly for the…

Tag Archives: Lucia di Lamermoor

Domenico Cimarosa | The triumph of the Neapolitan school

Opera | Useful basic definitions of commonly used terms

Verismo and Wagnerianism

Remembering Claudio Abbado

Donizetti | The Romantic epitome

L’Ulisse Errante

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