Much applauded at the Royal Opera House in London in the role of Werther directed by Antonio Pappano and alongside Joyce DiDonato and in Les Contes d’Hoffmann, Mr. Grigolo has recently appeared at the Met in New York, in Roméo et Juliette alongside Diana Damrau.
Zandonai’s Francesca da Rimini tells of the tragic love story between Paolo and Francesca, told by Dante Alighieri in the 5th Canto of his Inferno, first part to the XIV century poem The Divine Comedy. Nearly 100 years later Boccaccio retold the story in his commentary on Dante’s Divine Comedy, adding details which are still historically controversial. In his account Malatesta from Verucchio, founder of the powerful Malatesta family, decided the marriage of his crippled son Gianciotto Malatesta to Francesca Da Polenta to put an end to the war between the two families. According to Boccaccio, Malatesta the Old, concerned that the bride could reject the bridegroom on the altar, sent in his place to perform a proxy marriage his handsome brother Paolo, a trick that she’d uncover only upon her arrival in Rimini. Gabriele D’Annunzio based the libretto for Zandonai’s opera on Boccaccio’s tale. His intention was to make of Zandonai’s Francesca da Rimini, (1902) the first of a series of dramatic works and the foundation to “the new Italian art”. D’Annunzio’s importance as a writer in the early-twentieth-century Italy was matched only by the prominence of his blatant, extravagant personality, his debts and his scandalous lifestyle, which left a trail […]
The libretto for Monteverdi’s Opera L’Incoronazione di Poppea was mainly drawn from the roman historians Tacitus. Its leading character is Poppea, the beautiful mistress who became wife to the Roman Emperor Nero, one of the most loved and, at the same time, hated emperor of the ancient Rome. Nero after the great fire of Rome, built on the Colle Oppio, the most lavish and vast villa of the ancient Rome, the Domus Aurea.
The Teatro San Carlo, certainly one of the finest and biggest in Europe was opened in 1737. Two years later, in 1739 French politician and writer Charles de Brosses referred to Naples as “the world capital of music”.