Vincenzo Bellini maintained throughout his life a strong bond with his hometown, where he lived till the age of 16. Some argue that his rejection for rules and rutine resulted somehow from that archaic and provincial world. Born to “seduce and conquest” Bellini indeed broke into the Italian musical lands cape as someone coming from another world. May be that’s part of the reason why he was able unveil and unleash the potential of musical drama, far and beyond the traditional bonds and cliché of the Neapolitan school.
Donizetti moves to Paris in 1834-1835 called, along with Bellini, by Rossini in his capacity as co-director of the Théâtre Italien. In 1843 the first symptoms of a brain disease that rapidly and progressively got worse to degenerate during the summer 1845. Subsequent medical treatments made the situation irreparable and in February 1846 the composer was interned in an institution for mentally ill in Paris.
La Sonnambula was a complete triumph, since its premiere. The newspapers wrote of “a melody that goes to the heart, an instrumentation always beautiful and well built” and reported of “endless applauses”. The story revolves around the character of Amina, the archetypal of the slandered innocent.