neo-classicism | L'Ulisse errante

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Moving forward from Baroque opera | Zeno, Metastasio, Gluck

Gluck finally estabilished an indissoluble link between music and words, with music becoming the main element for the success of an opera. As in the striking aria “What shall I do without Euridice?”. It is through to the incomparable beauty and expressiveness of the melody sung by Orpheus that Love is presuaded to bring Euridice back to life.

January

Italian Opera the January monthly program

March

Bellini | A love and death story I Capuleti e i Montecchi

I Capuleti e i Montecchi is considered by many Bellini’s first masterpiece. It certainly recalls in many ways the great belcanto era, particularly in the way the roles are organized: the mezzo-soprano as male protagonist, the soprano as his lover, the tenor as the hero’s rival, bass and bariton respectively as the noble father and the tyrant. However, Capuleti is not strictly a belcanto opera because of its intimate and at times dramatic atmosphere. So much so that the many embellishments, counterbalanced by a well-defined melodic core, are not ornamentation anymore but start to take an expressive connotation.

April

Rigoletto in Mantua | Palazzo Te, the pleasure palace

What is Rigoletto it about? This sounds like a simple question, which could be answered by telling the story of the Duke of Mantua, the city of Mantua, his hunchback jester and the jester’s daughter, Gilda. A story of love, deception, revenge, and death. The story, of course, is so close to the one told by playwright and poet Victor Hugo in his play Le Roi s’amuse (The King has fun), that they could appear the same thing. But anyone who loves opera will not be satisfied by this explanation. In the best operas, music is much more than an accompaniment to the story: it is through the power of music that the story unfolds into the drama. Verdi fell literally in love with Hugo’s play and was determined to translate it into music; despite his librettist Francesco Maria Piave‘s concerns, particularly over the fourth act culminating in the deposition of a dying Gilda in a bag. In a letter dated June 1850, Verdi explains the reasons he suggested as a title for the opera Monterone’s curse or, by the short, The Curse. “The subject is the curse as a moral element: A distraught father who mourns the honor taken away from his daughter, a […]

Siracusa | Rossini’s Tancredi

Tancredi: “the simple purity and virginity of genius“ In Stendhal’s opinion Tancredi was Rossini’s best opera.…

Tag Archives: neo-classicism

Moving forward from Baroque opera | Zeno, Metastasio, Gluck

Italian Opera the January monthly program

Bellini | A love and death story I Capuleti e i Montecchi

Rigoletto in Mantua | Palazzo Te, the pleasure palace

Siracusa | Rossini’s Tancredi

L’Ulisse Errante

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