petite messe solemnelle | L'Ulisse errante

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Verdi’s Falstaff | Triumph with a laughter

Verdi’s last opera Falstaff relates to Verdi’s late years when after the enormous success of Otello no one expected him to create yet another opera. A pleasant routine Verdi and Giuseppina had a pleasant life routine at that stage. They used to spend winters in Genoa; the beginning of spring in Milan attending music events; the end of spring and most part of summer in Sant’Agata, where the composer attended business such as the collection of rent payments, purchase of seeds, repairs, new buildings works. Yet his friend, librettist and composer Arrigo Boito noticed how much Verdi missed composing and for that reason started to insist in working together on something new, an opera that could end his career in an even better way than Otello, a “triumph with a laughter”. Triumph with a laughter The idea came out during a conversation between Boito and Verdi. By May 1889 Boito had already sketched the libretto from Shakespeare’s Henry IV (1597) and The Merry Wives of Windsor (1602). Verdi, who had considered a comic subject before, at that stage was worried for not being able to complete it: “What would happen if I won’t overcome my weakness…If I won’t be able to finish […]

October

Mantua | Monteverdi’s Orfeo and the beginning of Opera

Vincenzo Gonzaga, Duke of Mantua attended the successful performance of Peri’s Euridice in Florence, which was probabily witnessed also by Monteverdi himself. The Duke realized immediately the originality of this new entertainment and the prestige that would reflect on the lord that sponsored it.

February

Italian Opera the February monthly program

Italian Opera the February monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

October

Moving forward from Baroque opera | Zeno, Metastasio, Gluck

Gluck finally estabilished an indissoluble link between music and words, with music becoming the main element for the success of an opera. As in the striking aria “What shall I do without Euridice?”. It is through to the incomparable beauty and expressiveness of the melody sung by Orpheus that Love is presuaded to bring Euridice back to life.

Rossini’s revolution and the transition to a new era

Rossini’s revolution Gioachino Rossini embodied quite well the ideals of the Restoration, at least in the…

Tag Archives: petite messe solemnelle

Verdi’s Falstaff | Triumph with a laughter

Mantua | Monteverdi’s Orfeo and the beginning of Opera

Italian Opera the February monthly program

Moving forward from Baroque opera | Zeno, Metastasio, Gluck

Rossini’s revolution and the transition to a new era

L’Ulisse Errante

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