The Teatro San Carlo, certainly one of the finest and biggest in Europe was opened in 1737. Two years later, in 1739 French politician and writer Charles de Brosses referred to Naples as “the world capital of music”.
In Stendhal’s opinion Tancredi was Rossini’s best opera. In his biography he wrote: “there’s no bravery or grandeur in this opera but only the simple purity and virginity of genius”. The libretto by Gaetano Rossi was drawn from Voltaire’s tragedy Tancrede. For that libretto Rossini composed an innovative score, combining in an original way the baroque “extreme coloraturas” with the pre-Romantic simple melodies of the new belcanto.
Venice was an important and rich commercial centre, welcoming foreign merchants, businessmen dignitaries and aristocrats on the Grand Tour. The demand for entertainment was therefore high, particularly during the Carnevale, Some enterprising impresarios came up with the idea of setting up a public opera house, charging the public for the hire of boxes on a subscription system. The business turned out to be profitable. In a few years 16 theatres were built requiring a big number of new operas. By the end of 1600 the repertoire counted about 300 operas.