Pinturicchio | L'Ulisse errante

Events Pro | Info: There are no items created, add some please.

From Jesi to Palermo | On the traces of Frederick II of Swabia

Frederick II was one of the most fascinating figure in medieval history. His power was immense: King of Sicily and Jerusalem, Emperor of the Romans, King of Italy and Germany. His kingdom extended from the northern sea to Sicily and, on the east, to Israel and Lebanon.

January

Italian Opera the February monthly program

Italian Opera the February monthly program of main events in the most famous Italian theaters. Don’t waste time and plan your visit to Italy now, taking advantage of cheap flights and good hotel rates! A wonderful stay in a quiet period of the year enriched by a great choice of amazing performances is at hand.

January

Un Ballo in Maschera | Giuseppe Verdi

A troubled genesis Un Ballo in Maschera is arguably one of most popular opera by Giuseppe Verdi. Yet it had the most troubled genesis. Written for the San Carlo in Naples and never performed there Un Ballo in Maschera was originally composed to be staged in Naples as the last new opera written under the contract between the Teatro San Carlo and Verdi but was never performed there. The major changes imposed by the Bourbon censorship to the composer convinced Verdi to premiere it in Rome instead. Even the Papal censorship in 1859 allowed him more freedom than that of the Bourbons’. Last (missed) opportunity for a Verdi’s “King Lear” Initially, Verdi had suggested to the San Carlo management another subject: King Lear by William Shakespeare, a long-term project that this time seemed to finally have found a right opportunity. But a new problem came up. To stage King Lear 2 or 3 strong soloists were not enough: 5 at least were needed and the San Carlo couldn’t provide them. These circumstances convinced Verdi, after over 15 years, to finally abandon the project of staging a music version of King Lear. Verdi & Shakespeare Verdi was a great admirer of […]

March

Bellini | Manifesto of Italian romantic opera

Locked in my room, I recite the characters’ parts passionately and study my voice: its inflections, the tempo and pauses, in short the emphasis a man uses when he’s at the mercy of his passions. I then identify the right tempo and melody in order to allow the singers to express those passions by the means of harmony. I put the ideas on paper, try them on the harpsichord. When I feel the same emotion I wanted to express I judge I have succeeded; if I don’t, I look again for inspiration until I feel I’ve achieved my goal”.

Rome, the Domus Aurea | Monteverdi’s Incoronazione di Poppea

L’incoronazione di Poppea For a long time, Monteverdi’s operas had been regarded essentially for their historical…

Tag Archives: Pinturicchio

From Jesi to Palermo | On the traces of Frederick II of Swabia

Italian Opera the February monthly program

Un Ballo in Maschera | Giuseppe Verdi

Bellini | Manifesto of Italian romantic opera

Rome, the Domus Aurea | Monteverdi’s Incoronazione di Poppea

L’Ulisse Errante

Recent Posts

Contact Info