Poppea Sabina | L'Ulisse errante

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Therapeutic art: A British Health initiative

An initiative, unveiled this week by British Health Secretary Matt Hancock, may soon enable the country’s doctors to prescribe therapeutic art- or hobby-based treatments for a wide range of mental health conditions. Therapeutic art- or hobby-based treatments for dementia, psychosis and mental health issues The medical benefits of engaging with the arts are well-recorded. According to the Telegraph “Dementia patients should be prescribed personal playlists to trigger happy memories Read more at: https://www.smithsonianmag.com/smart-news/british-doctors-may-soon-prescribe-art-music-dance-singing-lessons-180970750

March

Bologna | A setting for Cimarosa’s Il matrimonio segreto

Giovanni Bertati sets The Secret Marriage in Bologna not without a reason: Bologna is historically a wealthy city, hometown for enterprising bourgeois engaged in commerce and industry. The city is famous for its towers and long arcades, for the beautiful well-preserved historic centre, one of the largest in Italy. Well renowned is also Bologna strong culinary tradition.

February

The Servant turned Mistress | La Serva Padrona

La Serva Padrona, composed on a libretto by Gennaro Antonio Federico in 1733, is an intermezzo divided into two interludes. It was originally designed to be performed between the acts of the opera seria Il prigioniero superbo by Pergolesi himself, staged at the Teatro San Bartolomeo in Naples on the occasion of the birthday of the empress Elisabeth Christine of Brunswick, wife of the emperor Charles VI and mother of the empress Marie Therese of Augsburg. That very same libretto had been used by almost every composer in Naples and therefore was already popular in a number of successful versions. The definition of believable characters and the solid realism of the short story, revolving almost entirely around the characters’ psychology made of the libretto a success. Pergolesi’s genius turned it into a masterpiece.

January

Pesaro | Pavarotti’s “Buen retiro”

The house has an unbeatable location. Situated halfway up the hill that gradually becomes mountain, the San Bartolo – the only high stretch of coast on the Adriatic sea along with Trieste and Ancona – it faces a large bay. A lush vegetation surrounds the white building from early spring to late autumn. During summer it provides a shelter from the heat of the blazing sun and also from the curious eyes of the bathers crowding the beach – mainly locals as this is not a trendy beach; it’s simply a nice place -. Vegetation could not, however, shield the sounds. So, in the years gone by, it was quite common for people lying on the beach – including me – to hear the Maestro’s powerful voice singing a piece or some musical charade. It was quite something!

Rome, the Domus Aurea | Monteverdi’s Incoronazione di Poppea

L’incoronazione di Poppea For a long time, Monteverdi’s operas had been regarded essentially for their historical…

Tag Archives: Poppea Sabina

Therapeutic art: A British Health initiative

Bologna | A setting for Cimarosa’s Il matrimonio segreto

The Servant turned Mistress | La Serva Padrona

Pesaro | Pavarotti’s “Buen retiro”

Rome, the Domus Aurea | Monteverdi’s Incoronazione di Poppea

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