Bellini met in Milan an artist who will be fundamental in his career: the librettist Felice Romani, the greatest theatrical poet of his time. Their cooperation lasted for 6 years and Romani, who wrote something like 90 librettos, created for and with Bellini some of his best ones. Bellini was actively involved not only in shaping the subjects but also in writing the verses, to insure the effective delivery of his idea through word and music simultaneously.In Milan Bellini met an artist who was going to be fundamental in his career, the greatest theatrical poet of his time: librettist Felice Romani. Their cooperation lasted for 6 years. Romani, who wrote something like 90 librettos, created for and with Bellini some of his best ones. The first opera produced through this collaboration was Il Pirata The Pirate, an opera that completely electrified the audience in Milan on October 27th 1827, night of the premiere. The newspapers titled “the start of Italian Romantic opera”.
When the diva is a mezzo Romantic opera brought at the centre of the stage sopranos, heroines of every love drama composed by Bellini to Donizetti to Puccini passing through Verdi. Mezzo-sopranos in those days played somehow the part of “Cinderella”, before the meeting with the fairy Godmother. Relegated mostly to a secondary role, they were seldom able to share the popularity and admiration granted to the leading sopranos of their time. Ebe Stignani, one of the most beautiful voices of the last century Take for example Ebe Stignani. Not many know her or who she was, yet she was one of the most beautiful voices and of the finest musicians of the last century. Ebe Stignani and Maria Callas Stignani was a main star at the Teatro Alla Scala while Maria Callas was just starting her cooperation with the Milan stage. Those were Callas’ difficult first years at La Scala, where she debuted in 1950 as a replacement to Renata Tebaldi in Aida. There was certainly a pre-established criticism if not hostility and even a lack of interest for Callas’ vocal talents, that kept growing till 1953 when, after a Norma with Stignani, the Greek soprano left Italy to return […]
Frederick II was one of the most fascinating figure in medieval history. His power was immense: King of Sicily and Jerusalem, Emperor of the Romans, King of Italy and Germany. His kingdom extended from the northern sea to Sicily and, on the east, to Israel and Lebanon.