Riccardo Chailly | L'Ulisse errante

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Verona | I Capuleti e i Montecchi

Pleasant Verona! With its Roman gates, still spanning the fair street, and casting, on the sunlight of to-day, the shade of fifteen hundred years ago. With its marble-fitted churches, lofty towers, rich architecture, and quaint old quiet thoroughfares, where shouts of Montagues and Capulets once resounded, and made Verona’s ancient citizens Cast by their grave, beseeming ornaments, To wield old partizans. With its fast-rushing river, picturesque old bridge, great castle, waving cypresses, and prospect so delightful, and so cheerful!

December

Castenaso | Rossini marries Colbran in a sanctuary

In the church Madonna del Pilar with its magnificent Baroque interiors and fine stuccoes on the 16th March 1822, by special concession as it was Lent, was celebrated the marriage between Gioachino Rossini and Ysabel Colbran crowning the great love and successful artistic alliance between the most prominent opera composer of the time and his muse.

September

Claudio Monteverdi | A revolutionary composer

Monteverdi reinvents vocal music as a new relationship between the composer and his audience, using to that end his melodies of unprecedented expressivity. He creates modern opera as the public’s right to a performance he can understand, appreciate, being moved or laugh at.

April

Rigoletto in Mantua | Palazzo Te, the pleasure palace

What is Rigoletto it about? This sounds like a simple question, which could be answered by telling the story of the Duke of Mantua, the city of Mantua, his hunchback jester and the jester’s daughter, Gilda. A story of love, deception, revenge, and death. The story, of course, is so close to the one told by playwright and poet Victor Hugo in his play Le Roi s’amuse (The King has fun), that they could appear the same thing. But anyone who loves opera will not be satisfied by this explanation. In the best operas, music is much more than an accompaniment to the story: it is through the power of music that the story unfolds into the drama. Verdi fell literally in love with Hugo’s play and was determined to translate it into music; despite his librettist Francesco Maria Piave‘s concerns, particularly over the fourth act culminating in the deposition of a dying Gilda in a bag. In a letter dated June 1850, Verdi explains the reasons he suggested as a title for the opera Monterone’s curse or, by the short, The Curse. “The subject is the curse as a moral element: A distraught father who mourns the honor taken away from his daughter, a […]

Rossini’s revolution and the transition to a new era

Rossini’s revolution Gioachino Rossini embodied quite well the ideals of the Restoration, at least in the…

Tag Archives: Riccardo Chailly

Verona | I Capuleti e i Montecchi

Castenaso | Rossini marries Colbran in a sanctuary

Claudio Monteverdi | A revolutionary composer

Rigoletto in Mantua | Palazzo Te, the pleasure palace

Rossini’s revolution and the transition to a new era

L’Ulisse Errante

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