Gluck finally estabilished an indissoluble link between music and words, with music becoming the main element for the success of an opera. As in the striking aria “What shall I do without Euridice?”. It is through to the incomparable beauty and expressiveness of the melody sung by Orpheus that Love is presuaded to bring Euridice back to life.
Now available on demand until 20th of April 2017, Puccini’s La bohème, which opened the 2016-2017 opera season and was broadcasted from the Teatro Regio in Turin. Gianandrea Noseda conducts the Orchestra and Chorus of the Regio in a new staging by Àlex Ollé. This staging of La Bohème marks the 120th anniversary of the opera world premiere, which took place at the Regio on 1st of February 1896 conducted by a 29 years old Arturo Toscanini.
At the beginning of his carrier, Donizetti writes mainly for the small theatres in Venice. Every new work by the young maestro was welcomed and praised by the press, as an original new development of Rossini’s style. Anna Bolena and L’Elisir d’Amore both premiered in Milan on librettos by Felice Romani, finally launched Donizetti as one of the most prominent European opera composers. These two masterpieces are the first of a list of milestones written by Donizetti that mark the history of romantic Italian theatre.
Donizetti moves to Paris in 1834-1835 called, along with Bellini, by Rossini in his capacity as co-director of the Théâtre Italien. In 1843 the first symptoms of a brain disease that rapidly and progressively got worse to degenerate during the summer 1845. Subsequent medical treatments made the situation irreparable and in February 1846 the composer was interned in an institution for mentally ill in Paris.