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The Comic Opera revolution | From Opera Seria to modern opera

At the beginning of the eighteenth century starts to develop a type of opera uniquely based on comic characters. It was a consequence of Zeno’s reform which separated the comic scenes within an opera, from all the rest. Two types of performances started then to take shape, marking a turning point in the history of opera. They were the interludes or intermezzi and a music comedy in Neapolitan dialect, called Commedeja pee Mmuseca.

March

Bellini | A love and death story I Capuleti e i Montecchi

I Capuleti e i Montecchi is considered by many Bellini’s first masterpiece. It certainly recalls in many ways the great belcanto era, particularly in the way the roles are organized: the mezzo-soprano as male protagonist, the soprano as his lover, the tenor as the hero’s rival, bass and bariton respectively as the noble father and the tyrant. However, Capuleti is not strictly a belcanto opera because of its intimate and at times dramatic atmosphere. So much so that the many embellishments, counterbalanced by a well-defined melodic core, are not ornamentation anymore but start to take an expressive connotation.

July

Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love

The compelling power of Zandonai’s best opera Francesca da Rimini is the best known of Riccardo Zandonai’s opera, a work of musical richness and compelling dramatic power. D’Annunzio’s play, written in the years of his obsession for Wagner, has many parallels with Tristan und Isolde, as for instance the minstrel account of Isolde’s story at the beginning of the opera and the “goblet scene” in act two. The epitome of a tragic love The first act takes place in Ravenna: Francesca da Polenta, daughter of the lord of the city, is about to marry Guido Malatesta, called Gianciotto because of his deformity (he’s crippled): she’s led to believe that the groom to be is the handsome Paolo, Gianciotto’s brother. In the second act, the following winter, the Guelphs Malatesta, at war with the Ghibellines, are besieging their castle in Rimini. Francesca meets Paolo in the castle and blames him for deceiving her into marriage. Gianciotto arrives followed by their brother Malatestino, who is wounded. In act three, a few months later, Francesca is in her room reading when Paolo, back from a long journey, enters. After confessing each other their love, they go back to the reading which features the […]

October

Mantua | Monteverdi’s Orfeo and the beginning of Opera

Vincenzo Gonzaga, Duke of Mantua attended the successful performance of Peri’s Euridice in Florence, which was probabily witnessed also by Monteverdi himself. The Duke realized immediately the originality of this new entertainment and the prestige that would reflect on the lord that sponsored it.

Naples | City of music and magic

Cities Things to see

Naples golden age The first half of the eighteenth century was undoubtedly a golden age…

Tag Archives: San Gennaro

The Comic Opera revolution | From Opera Seria to modern opera

Bellini | A love and death story I Capuleti e i Montecchi

Rimini and Gradara | Francesca da Rimini | The epitome of a tragic love

Mantua | Monteverdi’s Orfeo and the beginning of Opera

Naples | City of music and magic

L’Ulisse Errante

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