San Pietro in Sylvis | L'Ulisse errante

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IL VIAGGIO DI ROBERTO | Roberto’s journey – from Ravenna to Auschwitz

On October 16, 1943 Roberto and his father were imprisoned in Milan. Two months later the 6th of December they were loaded like cattle in the same coach with other 64 people and left from the infamous platform 21 of Milan train station for a one way journey.

June

Italian Opera the July monthly program

Italian Opera the July monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

December

Pergolesi’s Stabat Mater | A sublime piece of sacred chamber music

Pergolesi’s Stabat Mater is a sublime piece of sacred chamber music. Originally composed for two castrato voices, strings and basso continuo, is arguably one of the most important works in music history, which influence stretches to Mozart, Haydn and beyond. A sublime summary of the religious and aesthetics of its time. It is also a simple man’s expression of religious sense

November

The generation of the 80s

At the end of 19th century it became clear that the style used in opera until 1890s couldn’t be used any more: the great social and cultural changes demanded new ways to express and increase the dramatic tension. The music coming from abroad (oltr’alpe-beyond the Alps) was becoming increasingly important. The new younger generation of composers, such as Puccini and Mascagni, where influenced not only by Wagner but also by younger composers such as Claude Debussy and Richard Strauss. Pelléas et Melisande premiered in 1902, Salome (1905) and Electra (1909), Strauss’s two breaking through operas, had a rapid success. Change demanded from older composers a conscious and radical effort while for those born after 1875 and used to the new music as part of their musical landscape, the transition to new ways of composing operas was more spontaneous, although different in nature and magnitude for each composer. Some composer intended their relationship with nineteenth-century Italian opera as “evolutionary” and continued to work within the traditional framework using at times new techniques and dramatic themes. Others felt that Italian music needed to break free from an opera that had become a stale entertainment for the new middle class and that a […]

The Diva and Bagnacavallo | Ebe Stignani

When the diva is a mezzo Romantic opera brought at the centre of the stage sopranos, heroines of every love…

Tag Archives: San Pietro in Sylvis

IL VIAGGIO DI ROBERTO | Roberto’s journey – from Ravenna to Auschwitz

Italian Opera the July monthly program

Pergolesi’s Stabat Mater | A sublime piece of sacred chamber music

The generation of the 80s

The Diva and Bagnacavallo | Ebe Stignani

L’Ulisse Errante

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