In Stendhal’s opinion Tancredi was Rossini’s best opera. In his biography he wrote: “there’s no bravery or grandeur in this opera but only the simple purity and virginity of genius”. The libretto by Gaetano Rossi was drawn from Voltaire’s tragedy Tancrede. For that libretto Rossini composed an innovative score, combining in an original way the baroque “extreme coloraturas” with the pre-Romantic simple melodies of the new belcanto.
At the beginning of his carrier, Donizetti writes mainly for the small theatres in Venice. Every new work by the young maestro was welcomed and praised by the press, as an original new development of Rossini’s style. Anna Bolena and L’Elisir d’Amore both premiered in Milan on librettos by Felice Romani, finally launched Donizetti as one of the most prominent European opera composers. These two masterpieces are the first of a list of milestones written by Donizetti that mark the history of romantic Italian theatre.
Vincenzo Bellini maintained throughout his life a strong bond with his hometown, where he lived till the age of 16. Some argue that his rejection for rules and rutine resulted somehow from that archaic and provincial world. Born to “seduce and conquest” Bellini indeed broke into the Italian musical lands cape as someone coming from another world. May be that’s part of the reason why he was able unveil and unleash the potential of musical drama, far and beyond the traditional bonds and cliché of the Neapolitan school.