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The transition between 18th and 19th century in Opera

Opera, until then the favourite entertainment of aristocracy and educated classes, was going to change radically as a consequence of the French revolution. In the three decades of the rise and fall of Napoleon, opera social function changed completely and irrevocably.

February

Italian Opera the February monthly program

Italian Opera the February monthly program of main events in the most famous Italian theaters and festivals. Don’t waste time and plan your visit to Italy now, a great choice of amazing performances is at hand, wherever you are in these days!

March

Verona | I Capuleti e i Montecchi

Pleasant Verona! With its Roman gates, still spanning the fair street, and casting, on the sunlight of to-day, the shade of fifteen hundred years ago. With its marble-fitted churches, lofty towers, rich architecture, and quaint old quiet thoroughfares, where shouts of Montagues and Capulets once resounded, and made Verona’s ancient citizens Cast by their grave, beseeming ornaments, To wield old partizans. With its fast-rushing river, picturesque old bridge, great castle, waving cypresses, and prospect so delightful, and so cheerful!

January

Un Ballo in Maschera | Giuseppe Verdi

A troubled genesis Un Ballo in Maschera is arguably one of most popular opera by Giuseppe Verdi. Yet it had the most troubled genesis. Written for the San Carlo in Naples and never performed there Un Ballo in Maschera was originally composed to be staged in Naples as the last new opera written under the contract between the Teatro San Carlo and Verdi but was never performed there. The major changes imposed by the Bourbon censorship to the composer convinced Verdi to premiere it in Rome instead. Even the Papal censorship in 1859 allowed him more freedom than that of the Bourbons’. Last (missed) opportunity for a Verdi’s “King Lear” Initially, Verdi had suggested to the San Carlo management another subject: King Lear by William Shakespeare, a long-term project that this time seemed to finally have found a right opportunity. But a new problem came up. To stage King Lear 2 or 3 strong soloists were not enough: 5 at least were needed and the San Carlo couldn’t provide them. These circumstances convinced Verdi, after over 15 years, to finally abandon the project of staging a music version of King Lear. Verdi & Shakespeare Verdi was a great admirer of […]

Pesaro | Pavarotti’s “Buen retiro”

A longlasting relation The relation between Pesaro and Luciano Pavarotti will live on. His family announced that…

Tag Archives: Sting

The transition between 18th and 19th century in Opera

Italian Opera the February monthly program

Verona | I Capuleti e i Montecchi

Un Ballo in Maschera | Giuseppe Verdi

Pesaro | Pavarotti’s “Buen retiro”

L’Ulisse Errante

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